{"id":7319,"date":"2026-04-22T12:10:19","date_gmt":"2026-04-22T12:10:19","guid":{"rendered":"https:\/\/www.fondation-louisroederer.com\/?post_type=artiste&p=7319"},"modified":"2026-04-22T12:26:05","modified_gmt":"2026-04-22T12:26:05","slug":"alvise-sivinia","status":"publish","type":"artiste","link":"https:\/\/www.fondation-louisroederer.com\/en\/artist\/alvise-sivinia\/","title":{"rendered":"Alvise Sivinia"},"content":{"rendered":"
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A pianist, improviser, performer and composer, his career has been marked by numerous encounters with artists from all walks of life. A curious musician who is constantly exploring new horizons, Alvise Sivinia<\/strong> is constantly renewing his relationship with the instrument, having spent several years experimenting with its sonic and physical paradoxes and limitations.<\/p>\n

He trained at the Conservatoire National Sup\u00e9rieur de Musique et de Danse de Paris under Alain Plan\u00e8s and Emmanuel Strosser. There he made numerous connections that have enriched his music. Committed to creative work, he regularly collaborates with composers and has been a member of ONCEIM since its inception. In 2019, he premiered Georgia Spiropoulos\u2019s solo piece Eror<\/em> (the pianist) in Athens, produced by the Onassis Foundation and IRCAM, in which improvisation, performance and interpretation merge. Alvise works regularly in theatre as a composer, actor and stage musician, as in Clara Chabalier\u2019s play La D\u00e9fense devant les Survivants<\/em>, premiered in June 2022 at the Com\u00e9die de Reims. In 2023, he composed the music and shared the stage with Laurent Poitrenaux and Val\u00e9rie Dashwood in a play by Ludovic Lagarde inspired by Olivier Cadiot\u2019s book M\u00e9decine G\u00e9n\u00e9rale<\/em>; premiered at the MC93, the play ran at the Th\u00e9\u00e2tre des Abesses in May 2025.<\/p>\n

As a resident at the Villa Medici<\/strong> during the 2016\/2017 season in the field of performance art, he explored the relationship between movement and sound in greater depth. He then founded his own company, with which he created the solo piece Ersilia<\/em>, for one performer and five piano frames. The performer\u2019s entire body, acting as a bow, plays the device-instrument invented for the piece. During the 2020\u201321 season, Alvise created Le Hurle<\/em>, a multidisciplinary science-fiction piece questioning the concept of sound archives. Finally, in May 2022, he created MICROGRAPHIA<\/em>, a four-hand piano piece with Fr\u00e9d\u00e9ric Blondy inspired by a book on experimental cartography, Terra Forma<\/em>. The company is currently developing, in mon for int\u00e9rieur, a series of choreographers\u2019 solos on the theme of secrecy, featuring a sound installation based on the repurposing of a tape recorder.<\/p>\n

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60. OLamiento par Alvise Sinivia \u00a9 Joachim Bertrand<\/p>\n <\/div>\n

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60. OLamiento par Alvise Sinivia \u00a9 Futur Anterieur David Daurier<\/p>\n <\/div>\n

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60. OLamiento Alvise Sinivia Isabelle Duthoit et Elise Dabrowski \u00a9 Futur Anterieur David Daurier<\/p>\n <\/div>\n <\/div>\n \n

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