{"id":7811,"date":"2026-09-10T14:32:05","date_gmt":"2026-09-10T14:32:05","guid":{"rendered":"https:\/\/www.fondation-louisroederer.com\/?post_type=finaliste&p=7811"},"modified":"2026-10-07T09:15:21","modified_gmt":"2026-10-07T09:15:21","slug":"tanya-marcuse","status":"publish","type":"finaliste","link":"https:\/\/www.fondation-louisroederer.com\/en\/finalist\/tanya-marcuse\/","title":{"rendered":"Tanya Marcuse"},"content":{"rendered":"\n
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Tanya Marcuse<\/h1>\n <\/div>\n <\/div>\n <\/header>\n\n
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North America \u2013 Presented by Allie Hausslein<\/h2>\n <\/div>\n\n
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\u00a9 Tanya Marcuse, Portent<\/p>\n <\/div>\n\n <\/div>\n\n\n <\/section>\n\n

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About the series<\/h2>\n <\/div>\n\n
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\u201cPortent <\/strong>began just a few miles from my home in New York State as we faced a global pandemic. The images arise from the ecological specificity and vulnerability of the region during a period marked by extreme heat and wildfire smoke. I work without Photoshop manipulation or AI. Instead, I create physical, experiential images in the field, deeply connected to place, and to the plants and animals encountered throughout the valley. I stage scenes in swamps, rivers and vernal pools, collaborating with weather and shifting light. My work is inspired by the sixteenth-century Augsburg Wunderzeichenbuch<\/em>, a compendium of omens, celestial events and apocalyptic wonders. Photography occupies a similar threshold between fact and fiction. By working within this narrow space between the possible and the impossible, I try to cultivate a way of seeing that is responsive to the transformations shaping our world. The project rests on the understanding that we are not separate from our environment but part of it, our fates inseparably entwined. Book of Miracles<\/em> is a trilogy unfolding across three interconnected bodies of work: Kingdom<\/em>, Portent<\/em> and Emblem<\/em>, each operating at a distinct scale. Kingdom<\/em> (157 \u00d7 315 cm) consists of monumental photographs constructed in my outdoor studio on a wooden framework using local flora and fauna, paint, glitter and, at times, fire. Portent<\/em> (81 \u00d7 96 cm) turns its attention to the surrounding landscape, grounding the work in actual ecosystems while allowing it to edge toward the impossible. Emblem<\/em> (23 \u00d7 18 cm) draws inspiration from alchemical illustration and devotional imagery, occupying a space between ritual and memorial.\u201d – Tanya Marcuse<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n <\/section>\n\n\n\n

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My project Portent <\/em>began in spring 2020, in New York\u2019s Hudson Valley, during the early months of the Covid-19 lockdown. My relationship to the land intensified, becoming both a refuge and primary field of inquiry. Themes of transformation, ecological vulnerability, and the shifting boundary between reality and imagination run throughout the project.<\/p>\n<\/div>\n

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Tanya Marcuse<\/p>\n

Finalist 2026<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n

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\n Tanya Marcuse<\/span>\n North America<\/span>\n <\/div>\n <\/div>\n <\/div>\n
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Tanya Marcuse (USA, 1964) is based in New York State. She began studying photography at Bard College and now teaches in its renowned Photography Program led by Stephen Shore. Marcuse holds an MFA from Yale University, where she was awarded the George Sakier Memorial Prize for Excellence in Photography. Her work has been exhibited internationally, including at the George Eastman Museum, Julie Saul Gallery, Hemphill Artworks, Yoshii Gallery, the Museum at the Fashion Institute of Technology, and the Denver Botanic Garden Art Gallery.<\/p>\n

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Her works are held in major public collections, including the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the George Eastman Museum, and the National Gallery of Art in Washington, D.C. Marcuse has received numerous fellowships and grants, Guggenheim, Peter S. Reed, American Scandinavian, MacDowell,\u00a0 NYFA in 2025.\u00a0Her forthcoming books include Deer<\/em> (Roman Nvmerals Books, 2026) and Book of Miracles<\/em> (Radius Books, 2027), which will be accompanied by exhibitions at the Hyde Collection, The Image Centre in Toronto, the Center for Photography at Woodstock, and Haw Contemporary Gallery.<\/p>\n

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