{"id":7949,"date":"2026-09-10T14:41:51","date_gmt":"2026-09-10T14:41:51","guid":{"rendered":"https:\/\/www.fondation-louisroederer.com\/?post_type=finaliste&p=7949"},"modified":"2026-09-10T15:12:28","modified_gmt":"2026-09-10T15:12:28","slug":"inuuteq-storch","status":"publish","type":"finaliste","link":"https:\/\/www.fondation-louisroederer.com\/en\/finalist\/inuuteq-storch\/","title":{"rendered":"Inuuteq Storch"},"content":{"rendered":"\n
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Inuuteq Storch <\/h1>\n <\/div>\n <\/div>\n <\/header>\n\n
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Europe \u2013 Presented by Malin Huber<\/h2>\n <\/div>\n\n
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\u00a9 Inuuteq Storch, Soon Will Summer Be Over<\/p>\n <\/div>\n\n <\/div>\n\n\n <\/section>\n\n

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Soon Will Summer Be Over. <\/em><\/strong>The photographer grew up in Sisimiut within the Inuit community and has returned to the land of his childhood to document the ways of life and the changes taking place in the region, particularly in the face of climate change. Qaanaaq is an isolated community in the tundra, shaped by extreme seasons and the colonial history involving Denmark and the United States. In the mid-20th century, the entire population of Qaanaaq was displaced from its historic site to make way for the expansion of Thule Air Base. The artist\u2019s intimate knowledge of local rhythms and traditions, combined with his critical eye toward archival materials, enables him to explore the role of colonial histories in shaping perceptions of his homeland. Storch weaves together personal and collective memories using analog and digital techniques, family cameras, and archival documents. His narratives, which he presents as layered and nonlinear, challenge the dominant perspectives still at work in the region and highlight the deteriorating ecological conditions. His intergenerational and contemplative photographs shed light on the close ties between identity, history, and landscape. They reveal the fragility, strength, and quiet poetry of a community in the eternal light of the far North.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n <\/section>\n\n\n\n

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I view photography as a decolonial tool, a space to rethink Kalaallit identity and regain control over how Greenland is represented.<\/p>\n<\/div>\n

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Inuuteq Storch<\/p>\n

Finaliste 2026<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n

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\n Inuuteq Storch<\/span>\n Europe<\/span>\n <\/div>\n <\/div>\n <\/div>\n
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Inuuteq Storch (1989, Greenland) lives in Denmark and Greenland. He is a graduate of the International Center of Photography in New York and the Fatamorgana School of Photography in Copenhagen. He represented Denmark at the 60th Venice Biennale in 2024, where he highlighted Kalaallit Nunaat. *Soon Will Summer Be Over* (2023) was presented during his first solo exhibition in the United States at MoMA PS1. Storch\u2019s work is exhibited in museums around the world, including the AKG Art Museum in Buffalo, the Akureyri Art Museum in Iceland, the Frankfurt Ray Triennale in Germany, the FOFA Gallery in Canada, Nordatlantens Brygge in Copenhagen, and GL. Strand Kunsthal in Copenhagen; Le Bicolore in France; Fotografisk Center in Copenhagen; Politikens Forhal in Copenhagen; the Weserburg Museum of Modern Art in Bremen; the Bonavista Biennale in Canada; and FRAKT Oslo…<\/p>\n <\/div>\n \n\n \n \n \n \n <\/svg>\n <\/span>\n \n Read more <\/span>\n <\/span>\n \n \n \n \n <\/svg>\n <\/span>\n Read less<\/span>\n <\/span>\n <\/span>\n

Solo exhibitions are scheduled at KUNSTEN, Museum of Modern Art, in Aalborg; the Bonnefanten Museum in the Netherlands; and the Hasselblad Foundation in Sweden. His work is also included in Danish and international collections, including ARKEN, Museum of Contemporary Art, in Ish\u00f8j; KUNSTEN, Museum of Modern Art, in Aalborg; and Moderna Museet in Sweden.<\/p>\n<\/div>\n <\/div>\n <\/div>\n<\/section>\n\n \n

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