{"id":1907,"date":"2025-02-12T16:05:01","date_gmt":"2025-02-12T16:05:01","guid":{"rendered":"https:\/\/www.fondation-louisroederer.com\/thinking-sustainability-prize\/"},"modified":"2026-07-29T15:22:50","modified_gmt":"2026-07-29T15:22:50","slug":"thinking-sustainability-prize","status":"publish","type":"page-prize","link":"https:\/\/www.fondation-louisroederer.com\/en\/thinking-sustainability-prize\/","title":{"rendered":"Thinking Sustainability Prize 2024"},"content":{"rendered":"\n
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THINKING SUSTAINABILITY PRIZE 2024<\/h1>\n <\/div>\n <\/div>\n <\/header>\n\n\n
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\n \"Fondation

\u00a9 Irene Barlian \u2013 Land of the Sea<\/p>\n <\/div>\n

\n \"Fondation

\u00a9 Adam Ferguson \u2013 Lake Huffer, Silent Wind, Big Sky<\/p>\n <\/div>\n

\n \"Fondation

\u00a9 Maya Goded \u2013 Healing, Earth and Body<\/p>\n <\/div>\n

\n \"Fondation

\u00a9 Pierrot Men \u2013 The washerwoman of Tsaranoro Valley, Madagascar<\/p>\n <\/div>\n

\n \"Fondation

\u00a9 M\u00f3nica de Miranda \u2013 Whistle for the wind, The Island<\/p>\n <\/div>\n

\n \"Fondation

\u00a9 Ana Elisa Sotelo & Sadith Silvano – The Spirit of the Jungle, Portraits of the Multiverse<\/p>\n <\/div>\n <\/div>\n \n

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\n WINNER 2024<\/span>\n
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Ana Elisa Sotelo<\/h2>\n

\u201cAna Elisa Sotelo\u2019s practice not only provides an insight into the contemporary languages of photography and its potential by producing entanglements between the captured image and the ancestral Ken\u00e9 embroidery and painting techniques and history. It also deals with issues of sustainability questioning the colonial fracture that separates the human from the non human and produces an extractive world-system. I nominated her for the Prize because I believe this mode of approaching art practice is essential to shifting the way we perceive and experience the world.\u201d<\/p>\n<\/div>\n <\/div>\n

\n Sofia Dourron<\/span>\n Nominator for South America<\/span>\n <\/div>\n Find more<\/span><\/span>Find more<\/span><\/span><\/span><\/a> <\/div>\n
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\n \"Fondation\n \"Fondation\n \"Fondation\n \"Fondation\n \"Fondation\n \"Fondation\n <\/div>\n <\/section>\n\n\n
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I spent many months putting together a jury and selecting nominators who were different from the usual awards. I wanted new voices as well as established ones. I wanted new voices as well as established ones. <\/p>\n<\/div>\n

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Audrey Bazin<\/p>\n

Artistic director of the Louis Roederer Foundation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n

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Jury 2024<\/div>\n \n \n
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\n Jo\u00ebl Andrianomearisoa<\/span>\n Artist and artistic director, Hakanto Contemporary \u2013 Antananarivo<\/span>\n MADAGASCAR\/FRANCE<\/span>\n <\/div>\n
\n Emanuele Coccia <\/span>\n Philosopher<\/span>\n ITALY\/FRANCE<\/span>\n <\/div>\n <\/div>\n
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\n Yuko Hasegawa<\/span>\n Director, 21st Century Museum of Contemporary Art, Kanazawa<\/span>\n JAPAN<\/span>\n <\/div>\n
\n Lekgheto James Makola <\/span>\n CEO, Javett Art Centre, Pretoria University<\/span>\n SOUTH AFRICA<\/span>\n <\/div>\n <\/div>\n
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\n Janet Laurence<\/span>\n Artist<\/span>\n AUSTRALIA<\/span>\n <\/div>\n
\n Mar\u00eda Wills Londo\u00f1o<\/span>\n Art researcher and curator<\/span>\n COLOMBIA<\/span>\n <\/div>\n <\/div>\n
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\n Tanvi Mishra<\/span>\n Photo editor, curator, and writer<\/span>\n INDIA<\/span>\n <\/div>\n
\n Vincent Munier<\/span>\n Photographer<\/span>\n FRANCE<\/span>\n <\/div>\n <\/div>\n
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\n Marie Perenn\u00e8s<\/span>\n Artistic director, Manufacture Saint-Louis, Herm\u00e8s<\/span>\n FRANCE<\/span>\n <\/div>\n
\n Selina Nwulu<\/span>\n Poet<\/span>\n ENGLAND<\/span>\n <\/div>\n <\/div>\n
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\n Mar\u00eda In\u00e9s Rodr\u00edguez<\/span>\n Director, Walter Leblanc Foundation, Brussels and artistic director, Tropical Papers <\/span>\n COLOMBIA\/FRANCE<\/span>\n <\/div>\n
\n Alexandra Tilling<\/span>\n Brand manager, Maisons Marques et Domaines Ltd., Roederer Collection<\/span>\n ENGLAND<\/span>\n <\/div>\n <\/div>\n
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\n Audrey Bazin<\/span>\n Artistic director, Louis Roederer Foundation<\/span>\n FRANCE<\/span>\n <\/div>\n \n <\/div>\n <\/div>\n
<\/div>\n <\/div>\n\n
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\n Jo\u00ebl Andrianomearisoa<\/span>\n Artist and artistic director, Hakanto Contemporary \u2013 Antananarivo<\/span>\n MADAGASCAR\/FRANCE<\/span>\n <\/div>\n
\n Emanuele Coccia <\/span>\n Philosopher<\/span>\n ITALY\/FRANCE<\/span>\n <\/div>\n
\n Yuko Hasegawa<\/span>\n Director, 21st Century Museum of Contemporary Art, Kanazawa<\/span>\n JAPAN<\/span>\n <\/div>\n
\n Lekgheto James Makola <\/span>\n CEO, Javett Art Centre, Pretoria University<\/span>\n SOUTH AFRICA<\/span>\n <\/div>\n
\n Janet Laurence<\/span>\n Artist<\/span>\n AUSTRALIA<\/span>\n <\/div>\n
\n Mar\u00eda Wills Londo\u00f1o<\/span>\n Art researcher and curator<\/span>\n COLOMBIA<\/span>\n <\/div>\n
\n Tanvi Mishra<\/span>\n Photo editor, curator, and writer<\/span>\n INDIA<\/span>\n <\/div>\n <\/div>
\n Vincent Munier<\/span>\n Photographer<\/span>\n FRANCE<\/span>\n <\/div>\n
\n Marie Perenn\u00e8s<\/span>\n Artistic director, Manufacture Saint-Louis, Herm\u00e8s<\/span>\n FRANCE<\/span>\n <\/div>\n
\n Selina Nwulu<\/span>\n Poet<\/span>\n ENGLAND<\/span>\n <\/div>\n
\n Mar\u00eda In\u00e9s Rodr\u00edguez<\/span>\n Director, Walter Leblanc Foundation, Brussels and artistic director, Tropical Papers <\/span>\n COLOMBIA\/FRANCE<\/span>\n <\/div>\n
\n Alexandra Tilling<\/span>\n Brand manager, Maisons Marques et Domaines Ltd., Roederer Collection<\/span>\n ENGLAND<\/span>\n <\/div>\n
\n Audrey Bazin<\/span>\n Artistic director, Louis Roederer Foundation<\/span>\n FRANCE<\/span>\n <\/div>\n <\/div> <\/div>\n <\/div>\n\n\n \n\n <\/div>\n <\/div>\n<\/section>\n\n
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Nominators 2024<\/div>\n \n \n
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\n Africa <\/div>\n
\n John Fleetwood<\/span>\n Photography curator, educator and director of the platform Photo:<\/span>\n JOHANNESBURG, SOUTH AFRICA<\/span>\n <\/div>\n
\n Oulimata Gueye<\/span>\n Critic and curator<\/span>\n S\u00e9n\u00e9gal<\/span>\n <\/div>\n
\n Jean-Sylvain Tshilumba Mukendi<\/span>\n Project and artistic coordinator, Picha, Lubumbashi Biennial<\/span>\n RDC<\/span>\n <\/div>\n <\/div>\n
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\n Asia <\/div>\n
\n Rahaab Allana<\/span>\n Curator and publisher, Alkazi Foundation for the Arts<\/span>\n NEW DELHI, INDIA <\/span>\n <\/div>\n
\n Joselina Cruz <\/span>\n Director and curator, Museum of Contemporary Art and Design (MCAD), De La Salle-College of Saint Benilde,<\/span>\n MANILA, THE PHILIPPINES<\/span>\n <\/div>\n
\n Sunyoung Kim<\/span>\n Senior curator, Museum Hanmi<\/span>\n SEOUL, SOUTH KOREA<\/span>\n <\/div>\n <\/div>\n
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\n Abhijan Toto<\/span>\n Critic and curator<\/span>\n THAILAND<\/span>\n <\/div>\n <\/div>
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\n Europe <\/div>\n
\n Giulia Colletti<\/span>\n Art historian and curator<\/span>\n ITALY<\/span>\n <\/div>\n
\n Marina Fokidis<\/span>\n Curator and writer<\/span>\n GREECE<\/span>\n <\/div>\n
\n Alona Pardo<\/span>\n Director of Programming, Arts Council Collection, London, <\/span>\n ENGLAND<\/span>\n <\/div>\n <\/div>\n
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\n North America <\/div>\n
\n Magal\u00ed Arriola<\/span>\n Director of Museo Tamayo<\/span>\n MEXICO CITY, MEXICO<\/span>\n <\/div>\n
\n Steve Evans<\/span>\n Curator and executive director of FotoFest<\/span>\n HOUSTON, UNITED STATES<\/span>\n <\/div>\n
\n Jane\u2019a Johnson<\/span>\n Critic and curator<\/span>\n UNITED STATES<\/span>\n <\/div>\n <\/div>\n
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\n Oceania <\/div>\n
\n Elias Redstone<\/span>\n Founder and artistic director, PHOTO Australia<\/span>\n MELBOURNE, AUSTRALIA<\/span>\n <\/div>\n
\n Ane Tonga<\/span>\n Artist and curator<\/span>\n TAMAKI MAKAURAU AOTEAROA, NEW ZEALAND<\/span>\n <\/div>\n <\/div>
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\n South America <\/div>\n
\n Claudi Carreras Guill\u00e9n<\/span>\n Independent curator and photography researcher<\/span>\n BRAZIL<\/span>\n <\/div>\n
\n Sofia Dourron<\/span>\n Art historian and curator<\/span>\n ARGENTINA<\/span>\n <\/div>\n
\n Sara Hermann<\/span>\n Chief curator, Centro Cultural Eduardo Le\u00f3n Jimenes, Santiago de los Caballeros<\/span>\n DOMINICAN REPUBLIC<\/span>\n <\/div>\n <\/div>\n \n <\/div>\n
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Africa<\/div>
\n John Fleetwood<\/span>\n Photography curator, educator and director of the platform Photo:<\/span>\n JOHANNESBURG, SOUTH AFRICA<\/span>\n <\/div>\n
\n Oulimata Gueye<\/span>\n Critic and curator<\/span>\n S\u00e9n\u00e9gal<\/span>\n <\/div>\n
\n Jean-Sylvain Tshilumba Mukendi<\/span>\n Project and artistic coordinator, Picha, Lubumbashi Biennial<\/span>\n RDC<\/span>\n <\/div>\n
Asia<\/div>
\n Rahaab Allana<\/span>\n Curator and publisher, Alkazi Foundation for the Arts<\/span>\n NEW DELHI, INDIA <\/span>\n <\/div>\n
\n Joselina Cruz <\/span>\n Director and curator, Museum of Contemporary Art and Design (MCAD), De La Salle-College of Saint Benilde,<\/span>\n MANILA, THE PHILIPPINES<\/span>\n <\/div>\n
\n Sunyoung Kim<\/span>\n Senior curator, Museum Hanmi<\/span>\n SEOUL, SOUTH KOREA<\/span>\n <\/div>\n
\n Abhijan Toto<\/span>\n Critic and curator<\/span>\n THAILAND<\/span>\n <\/div>\n
Europe<\/div>
\n Giulia Colletti<\/span>\n Art historian and curator<\/span>\n ITALY<\/span>\n <\/div>\n
\n Marina Fokidis<\/span>\n Curator and writer<\/span>\n GREECE<\/span>\n <\/div>\n <\/div>
\n Alona Pardo<\/span>\n Director of Programming, Arts Council Collection, London, <\/span>\n ENGLAND<\/span>\n <\/div>\n
North America<\/div>
\n Magal\u00ed Arriola<\/span>\n Director of Museo Tamayo<\/span>\n MEXICO CITY, MEXICO<\/span>\n <\/div>\n
\n Steve Evans<\/span>\n Curator and executive director of FotoFest<\/span>\n HOUSTON, UNITED STATES<\/span>\n <\/div>\n
\n Jane\u2019a Johnson<\/span>\n Critic and curator<\/span>\n UNITED STATES<\/span>\n <\/div>\n
Oceania<\/div>
\n Elias Redstone<\/span>\n Founder and artistic director, PHOTO Australia<\/span>\n MELBOURNE, AUSTRALIA<\/span>\n <\/div>\n
\n Ane Tonga<\/span>\n Artist and curator<\/span>\n TAMAKI MAKAURAU AOTEAROA, NEW ZEALAND<\/span>\n <\/div>\n
South America<\/div>
\n Claudi Carreras Guill\u00e9n<\/span>\n Independent curator and photography researcher<\/span>\n BRAZIL<\/span>\n <\/div>\n
\n Sofia Dourron<\/span>\n Art historian and curator<\/span>\n ARGENTINA<\/span>\n <\/div>\n
\n Sara Hermann<\/span>\n Chief curator, Centro Cultural Eduardo Le\u00f3n Jimenes, Santiago de los Caballeros<\/span>\n DOMINICAN REPUBLIC<\/span>\n <\/div>\n <\/div> <\/div>\n <\/div>\n\n\n \n\n <\/div>\n <\/div>\n<\/section>\n\n
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\n \"Fondation

\u00a9 M\u00f3nica de Miranda, Whistle for the wind, The Island<\/p>\n <\/div>\n\n

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THINKING SUSTAINABILITY RESEARCH\r\n<\/h2>\n

Une s\u00e9lection de textes de penseurs et de chercheurs du monde entier que la Fondation a invit\u00e9s \u00e0 \u00e9crire sur le sujet de leur choix afin de contribuer \u00e0 une meilleure compr\u00e9hension des multiples facettes du d\u00e9veloppement durable.<\/p>\n \n \n \n Read more <\/span>\n \n Read more <\/span>\n <\/span>\n <\/a>\n <\/div>\n\n <\/div>\n <\/div>\n\n <\/div>\n\n \n <\/section>\n\n\n\n

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EXPLORE<\/h2>\n\n \"fondation-louis-roederer-jeu-de-paume-exposition-paysages-mouvants-2025-copyright-monica-de-miranda\" \n

OUR<\/h2>\n <\/div>\n
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OUR<\/h2>\n <\/div>\n <\/div>\n <\/div>\n\n
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OUR<\/h2>\n <\/div>\n
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UNIVERSE<\/h2>\n
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\n \"fondation-louis-roederer-jeu-de-paume-exposition-paysages-mouvants-2025-copyright-monica-de-miranda\"
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“Paysages Mouvants” festival at the Jeu de Paume<\/h3>\n
<\/div>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
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New edition of the Louis Roederer Foundation Discovery Award at Les Rencontres d’Arles<\/h3>\n
<\/div>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
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\n \"Isadora
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Isadora Romero<\/h3>\n
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\n \"Arachne's
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Tom\u00e1s Saraceno<\/h3>\n
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Glenn A. Albrecht<\/h3>\n
<\/div>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
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\n \"MorvaridK_ThisTooShallPass_Tps1_04_copyright-Morvarid-K_courtesy-Bigaignon\"
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Morvarid K<\/h3>\n
<\/div>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\nExplore<\/a>","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":810,"template":"","meta":{"_acf_changed":true},"annee":[270],"class_list":["post-1907","page-prize","type-page-prize","status-publish","has-post-thumbnail","hentry","annee-270"],"acf":[],"yoast_head":"\nThinking Sustainability Prize 2024 - Fondation Louis Roederer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fondation-louisroederer.com\/en\/thinking-sustainability-prize\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Thinking Sustainability Prize 2024 - Fondation Louis Roederer\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.fondation-louisroederer.com\/en\/thinking-sustainability-prize\/\" \/>\n<meta property=\"og:site_name\" content=\"Fondation Louis Roederer\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-29T15:22:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.fondation-louisroederer.com\/wp-content\/uploads\/2024\/10\/Fondation-Louis-Roederer-\u00a9-Irene-Barlian-\u2013-Land-of-the-Sea-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"1365\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.fondation-louisroederer.com\\\/en\\\/thinking-sustainability-prize\\\/\",\"url\":\"https:\\\/\\\/www.fondation-louisroederer.com\\\/en\\\/thinking-sustainability-prize\\\/\",\"name\":\"Thinking Sustainability Prize 2024 - 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