{"id":5366,"date":"2019-10-16T12:23:00","date_gmt":"2019-10-16T12:23:00","guid":{"rendered":"https:\/\/www.fondation-louisroederer.com\/?p=5366"},"modified":"2025-07-03T12:35:12","modified_gmt":"2025-07-03T12:35:12","slug":"future-former-fugitive-exhibition-at-palais-de-tokyo","status":"publish","type":"post","link":"https:\/\/www.fondation-louisroederer.com\/en\/future-former-fugitive-exhibition-at-palais-de-tokyo\/","title":{"rendered":"“Future, Former, Fugitive” exhibition at Palais de Tokyo"},"content":{"rendered":"\n
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Jean-Alain Corre, Dolphin Keeper After Golden Fuck Shatzy Antoinette Turning Jake Sully, 2019 \u00a9 Aur\u00e9lien Mole<\/p>\n <\/div>\n <\/div>\n

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“Future, Former, Fugitive” exhibition at Palais de Tokyo<\/h1>\n <\/div>\n <\/div>\n <\/header>\n\n
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16\/10\/2019<\/h2>\n <\/div>\n\n
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In autumn 2019, Palais de Tokyo is devoting all of its exhibition spaces to the French artistic scene. <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n <\/section>\n\n\n

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Fabienne Adeoud \u00a9 Aur\u00e9lien Mole<\/p>\n <\/div>\n\n

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The invited artists come from different generations, live all over France, or abroad; they do not use the same media, nor the same means of production; some have chosen to write their stories in groups, while others remain on the margins. Yet, by forming a complex image, these artists reveal contemporary art in France. They constitute a moving landscape in which connections, discreet kinships or, alternatively, singularities can be discerned.<\/p>\n <\/div>\n\n <\/div>\n <\/div>\n\n <\/div>\n\n \n <\/section>\n\n\n

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Nathalie du Pasquier, Sans titre, 2018 \u00a9 Alice Fiorilli<\/p>\n <\/div>\n

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Anna Solal, Infusion Camomille, 2017-2018 \u00a9 Aur\u00e9lien Mole<\/p>\n <\/div>\n

\n \"fondation-louis-roederer-palais-de-tokyo-exposition-futur-ancien-fugitif-copyright-nicolas-tubery\"

Nicolas Tub\u00e9ry, Maquignon – Concors, cl\u00e9das amb negociacions, 2018 \u00a9 Romain Darnaud<\/p>\n <\/div>\n <\/div>\n \n

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To illuminate this rich and fragmented landscape, Olivier Cadiot, one of the most singular and persistent voices in French literature, has been chosen as a source. Future, former, fugitive \u2013 the title of his novel published by P.O.L. in 1993 \u2013 tells of the very fragility of the moment, which owes as much to the constantly renewed aspirations for a world to come, as to the still-vibrant agitations of the past. <\/p>\n <\/div>\n\n <\/div>\n <\/div>\n\n <\/div>\n\n \n <\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":5349,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"annee":[247],"class_list":["post-5366","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee","annee-2019-en"],"acf":[],"yoast_head":"\n"Future, Former, Fugitive" exhibition at Palais de Tokyo - Fondation Louis Roederer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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