{"id":7687,"date":"2026-07-13T15:18:31","date_gmt":"2026-07-13T15:18:31","guid":{"rendered":"https:\/\/www.fondation-louisroederer.com\/?p=7687"},"modified":"2026-07-15T15:10:29","modified_gmt":"2026-07-15T15:10:29","slug":"laureates-prix-decouverte-fondation-louis-roederer-2026","status":"publish","type":"post","link":"https:\/\/www.fondation-louisroederer.com\/en\/laureates-prix-decouverte-fondation-louis-roederer-2026\/","title":{"rendered":"Winners of the Louis Roederer Foundation Discovery Award 2026"},"content":{"rendered":"\n

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Award Ceremony for the Louis Roederer Foundation Discovery Award on the Theatre Antique on Friday, July 10, 2026 \u00a9 Ad\u00e8le Le Bras<\/p>\n <\/div>\n <\/div>\n

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Winners 2026 Louis Roederer Fondation Discovery Award<\/h1>\n <\/div>\n <\/div>\n <\/header>\n\n
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13\/07\/2026 – Arles<\/h2>\n <\/div>\n\n
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Committed alongside the Rencontres de la Photographie in Arles<\/strong> for nearly 10 years, the Louis Roederer Foundation wholeheartedly shares the festival\u2019s commitment to supporting photography and those involved in the field. The Louis Roederer Foundation Discovery Award symbolises this shared commitment.<\/p>\n

The jury for the 2026 Louis Roederer Foundation Discovery Award chose Magali Paulin<\/strong> as the winner, whilst the audience awarded the Public Award to Mallory Lowe Mpoka<\/strong>.<\/p>\n

The two winning artists explore the ways in which places, archives, images, and narratives endure across time. Their works examine what remains, what changes, and what risks being lost, revealing photography\u2019s unique ability to bring to light what has long been buried or forgotten. Through memory, transmission, and reinterpretation of reality, their works demonstrate, each in its own way, the power of images to deepen our understanding of the world.<\/p>\n

\u00a0<\/span><\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n <\/section>\n\n\n

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Magali Paulin \u00a9 Fran\u00e7ois Deladerri\u00e8re<\/p>\n <\/div>\n\n

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Magali Paulin, Jury Award winner<\/h2>\n

Magali Paulin<\/strong> presented by Doubledummy (Arles, France) receives the Jury Award<\/strong>, which consists of a grant of 15,000 euros and the acquisition of a work that will become part of the Rencontres d’Arles collection.<\/p>\n

Magali Paulin (born in 1986) is a visual artist who graduated from the ENSP Arles in 2011. Of Martinican descent, for several years, she has developed work centered on Caribbean island territories such as Martinique and Guadeloupe. She conceives her art practice as an extended personal process of repair and reflection on identity. Her work poetically addresses notions of trace, coloniality, memory and resilience.<\/p>\n

In her exhibition Matter, phantoms<\/strong>, <\/em>Magali Paulin photographs structures being reclaimed by time, in a former colonial garden overgrown with vegetation in the Bois de Vincennes in Paris. Her images expose persistent traces and the histories embedded in these places.<\/p>\n <\/div>\n\n <\/div>\n <\/div>\n\n <\/div>\n\n \n <\/section>\n\n\n\n

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\n Magali Paulin, Anciennes serres du Jardin colonial de Nogent-sur-Marne, construites vers 1899. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, Nogent-sur-Marne, avril 2025 Avec l\u2019aimable autorisation de l\u2019artiste. <\/p>\n <\/div>\n

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\n Magali Paulin, Pavillon de l\u2019Indochine, construit pour l\u2019Exposition coloniale de Nogent-sur-Marne de 1907. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, Nogent-sur-Marne, juillet 2024 Avec l\u2019aimable autorisation de l\u2019artiste. <\/p>\n <\/div>\n

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\n Magali Paulin, Porte chinoise, pr\u00e9sent\u00e9e en 1906 \u00e0 l\u2019Exposition coloniale du Grand Palais, puis transf\u00e9r\u00e9e \u00e0 Nogent-sur-Marne pour marquer l\u2019entr\u00e9e de l\u2019Exposition coloniale de 1907. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, avril 2025 Avec l\u2019aimable autorisation de l\u2019artiste. <\/p>\n <\/div>\n

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\n Magali Paulin, Fragment du monument \u00e0 la gloire de l\u2019expansion coloniale fran\u00e7aise sous la IIIe R\u00e9publique de Jean-Baptiste Belloc datant de 1922, figure repr\u00e9sentant les Antilles. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, Nogent-sur-Marne, avril 2025 Avec l\u2019aimable autorisation de l\u2019artiste. <\/p>\n <\/div>\n

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\n Magali Paulin, D\u00e9tail du monument Aux soldats noirs morts pour la France d\u2019Auguste Biaggi. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, Nogent-sur-Marne, avril 2025 Avec l\u2019aimable autorisation de l\u2019artiste. <\/p>\n <\/div>\n <\/div>\n

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\n Magali Paulin, Anciennes serres du Jardin colonial de Nogent-sur-Marne, construites vers 1899. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, Nogent-sur-Marne, avril 2025 Avec l\u2019aimable autorisation de l\u2019artiste. <\/p>\n <\/div>\n

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\n Magali Paulin, Pavillon de l\u2019Indochine, construit pour l\u2019Exposition coloniale de Nogent-sur-Marne de 1907. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, Nogent-sur-Marne, juillet 2024 Avec l\u2019aimable autorisation de l\u2019artiste. <\/p>\n <\/div>\n

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\n Magali Paulin, Porte chinoise, pr\u00e9sent\u00e9e en 1906 \u00e0 l\u2019Exposition coloniale du Grand Palais, puis transf\u00e9r\u00e9e \u00e0 Nogent-sur-Marne pour marquer l\u2019entr\u00e9e de l\u2019Exposition coloniale de 1907. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, avril 2025 Avec l\u2019aimable autorisation de l\u2019artiste. <\/p>\n <\/div>\n

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\n Magali Paulin, Fragment du monument \u00e0 la gloire de l\u2019expansion coloniale fran\u00e7aise sous la IIIe R\u00e9publique de Jean-Baptiste Belloc datant de 1922, figure repr\u00e9sentant les Antilles. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, Nogent-sur-Marne, avril 2025 Avec l\u2019aimable autorisation de l\u2019artiste. <\/p>\n <\/div>\n

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\n Magali Paulin, D\u00e9tail du monument Aux soldats noirs morts pour la France d\u2019Auguste Biaggi. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, Nogent-sur-Marne, avril 2025 Avec l\u2019aimable autorisation de l\u2019artiste. <\/p>\n <\/div>\n <\/div>\n

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Mallory Lowe Mpoka \u00a9 Odeon Davis<\/p>\n <\/div>\n\n

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Mallory Lowe Mpoka, Public Award winner<\/h2>\n

Mallory Lowe Mpoka<\/strong> presented by Occurence (Montreal, Canada) receives the 2026 Public Award<\/strong>, which consists of a grant of 5,000 euros through an acquisition to be added to the Rencontres d\u2019Arles collection.<\/p>\n

Mallory Lowe Mpoka (born in 1996), who lives in Montreal, Canada, is a Belgian-Cameroonian multidisciplinary artist whose work explores the connections between identity, memory and territory.<\/p>\n

In her exhibition Cosmologies of the heiresses<\/em><\/strong>, photographs, textiles and family archives come together in a body of work where embroidery and beads transform the images, bringing out fragments of Cameroonian history long kept out of view.<\/p>\n

Alongside the Public Award as part of the Louis Roederer Foundation Discovery Award, Mallory Lowe Mpoka was also awarded the Prix de la Photo Madame Figaro<\/em> devoted to emerging female photographers.<\/p>\n <\/div>\n\n <\/div>\n <\/div>\n\n <\/div>\n\n \n <\/section>\n\n\n\n

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\n \u00a9 Mallory Lowe Mpoka, In the Weft of Memory (d\u00e9tail) [Dans la trame de la m\u00e9moire], Mus\u00e9e des Beaux-Arts du Canada, Ottawa, 2025, tissage en coton et perles de verre Avec l\u2019aimable autorisation de l\u2019artiste. <\/p>\n <\/div>\n

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\n Mallory Lowe Mpoka, In the Weft of Memory, Mus\u00e9e des Beaux-Arts du Canada, Ottawa, 2025, tissage en coton et perles de verre Avec l\u2019aimable autorisation de l\u2019artiste. <\/p>\n <\/div>\n

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\n Mallory Lowe Mpoka, photogramme de She Who Summons [Celle qui invoque], Mbour, S\u00e9n\u00e9gal, 2025, film Avec l\u2019aimable autorisation de l\u2019artiste. <\/p>\n <\/div>\n <\/div>\n

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\n \u00a9 Mallory Lowe Mpoka, In the Weft of Memory (d\u00e9tail) [Dans la trame de la m\u00e9moire], Mus\u00e9e des Beaux-Arts du Canada, Ottawa, 2025, tissage en coton et perles de verre Avec l\u2019aimable autorisation de l\u2019artiste. <\/p>\n <\/div>\n

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\n Mallory Lowe Mpoka, In the Weft of Memory, Mus\u00e9e des Beaux-Arts du Canada, Ottawa, 2025, tissage en coton et perles de verre Avec l\u2019aimable autorisation de l\u2019artiste. <\/p>\n <\/div>\n

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\n Mallory Lowe Mpoka, photogramme de She Who Summons [Celle qui invoque], Mbour, S\u00e9n\u00e9gal, 2025, film Avec l\u2019aimable autorisation de l\u2019artiste. <\/p>\n <\/div>\n <\/div>\n

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Le Jury <\/div>\n \n \n
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\n Sammy Baloji<\/span>\n Photographe, plasticien et cin\u00e9aste congolais. En 2026, il est l'un des artistes-professeurs invit\u00e9s du Fresnoy, Studio national des arts contemporains. <\/span>\n <\/div>\n
\n Yasmine Chemali<\/span>\n Commissaire d\u2019exposition et historienne de l\u2019art sp\u00e9cialis\u00e9e dans la photographie contemporaine. Directrice du Centre de la photographie de Mougins. <\/span>\n <\/div>\n <\/div>\n
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\n Amandine Nana<\/span>\n Curatrice au Palais de Tokyo depuis 2023, auteure, po\u00e8te, et chercheuse. <\/span>\n <\/div>\n
\n Fiona Rogers<\/span>\n Curatrice et sp\u00e9cialiste de la photographie engag\u00e9e dans la promotion des femmes photographes, notamment \u00e0 travers son r\u00f4le au V&A et la plateforme Firecracker. <\/span>\n <\/div>\n <\/div>\n \n <\/div>\n
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\n Sammy Baloji<\/span>\n Photographe, plasticien et cin\u00e9aste congolais. En 2026, il est l'un des artistes-professeurs invit\u00e9s du Fresnoy, Studio national des arts contemporains. <\/span>\n <\/div>\n
\n Yasmine Chemali<\/span>\n Commissaire d\u2019exposition et historienne de l\u2019art sp\u00e9cialis\u00e9e dans la photographie contemporaine. Directrice du Centre de la photographie de Mougins. <\/span>\n <\/div>\n <\/div>
\n Amandine Nana<\/span>\n Curatrice au Palais de Tokyo depuis 2023, auteure, po\u00e8te, et chercheuse. <\/span>\n <\/div>\n
\n Fiona Rogers<\/span>\n Curatrice et sp\u00e9cialiste de la photographie engag\u00e9e dans la promotion des femmes photographes, notamment \u00e0 travers son r\u00f4le au V&A et la plateforme Firecracker. <\/span>\n <\/div>\n <\/div> <\/div>\n <\/div>\n\n\n \n\n <\/div>\n <\/div>\n<\/section>\n\n
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Les travaux des artistes prim\u00e9s et des finalistes,\u00a0<\/span>Charlotte Yonga<\/strong>, Souleymane Bachir Diaw<\/strong>, Phan Quang<\/strong>,\u00a0<\/span>Amira<\/span><\/strong>\u202fLamti<\/strong>, Jordan Beal<\/strong>, Mallory Lowe Mpoka<\/strong> et Magali Paulin<\/strong><\/span>, sont pr\u00e9sent\u00e9s \u00e0 l\u2019Espace Monoprix\u00a0<\/span>\u00e0 Arles\u00a0<\/span>jusqu\u2019au\u00a0<\/span>4\u00a0<\/span>octobre 202<\/span>6<\/span><\/strong>.<\/span><\/span>\u00a0<\/span><\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n <\/section>\n\n\n

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Nadine Hounkpatin \u00a9 Chiara Santarelli<\/p>\n <\/div>\n\n

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Cette ann\u00e9e encore, les sept projets retenus sont consid\u00e9r\u00e9s comme une seule et m\u00eame exposition, pens\u00e9e, de la s\u00e9lection \u00e0 l\u2019accrochage par la commissaire d\u2019exposition, Nadine Hounkpatin<\/strong>, qui a souhait\u00e9 s’interroger sur la place de l\u2019image dans la fabrique du r\u00e9el, et donc de la v\u00e9rit\u00e9.<\/p>\n <\/div>\n\n <\/div>\n <\/div>\n\n <\/div>\n\n \n <\/section>\n\n\n\n

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Les sept artistes du Prix D\u00e9couverte 2026, en ouvrant des interstices, m\u2019ont offert des \u00e9clairs et des \u00e9tincelles. Leurs r\u00e9cits visuels, ancr\u00e9s dans des\u202fcontextes pluriels \u2013 culturels, historiques, intimes \u2013, mobilisent le\u202fcorps, l\u2019archive, le\u202fgeste et le rituel avec po\u00e9sie. Leurs \u0153uvres nous rappellent que la v\u00e9rit\u00e9 photographique n\u2019est d\u00e9finitivement pas \u00e0\u202ftrouver, mais \u00e0 construire, patiemment, dans le frottement de r\u00e9cits situ\u00e9s, construits, attentifs aux silences.<\/p>\n<\/div>\n

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Nadine Hounkpatin<\/p>\n

Commissaire invit\u00e9e Prix D\u00e9couverte 2026 <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n

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\n \"fondation-louis-roederer-les-rencontres-d-arles-exposition-copyright-lisa-le-corre\" <\/div>\n\n
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Les Rencontres de la photographie \u00e0 Arles <\/h2>\n

En 2018, la Fondation Louis Roederer devient m\u00e9c\u00e8ne du Prix D\u00e9couverte, cr\u00e9\u00e9 par les Rencontres d\u2019Arles, qui encourage la jeune cr\u00e9ation.<\/p>\n \n \n \n En savoir plus <\/span>\n \n En savoir plus <\/span>\n <\/span>\n <\/a>\n <\/div>\n\n <\/div>\n <\/div>\n\n <\/div>\n\n \n <\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":7753,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"annee":[274],"class_list":["post-7687","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee","annee-2026-2"],"acf":[],"yoast_head":"\nWinners of the Louis Roederer Foundation Discovery Award 2026 - Fondation Louis Roederer<\/title>\n<meta name=\"description\" content=\"Engag\u00e9e depuis plus de sept ans aux c\u00f4t\u00e9s des Rencontres de la photographie \u00e0 Arles, la Fondation Louis Roederer partage avec ferveur la volont\u00e9 du festival de d\u00e9fendre la photographie et ses acteurs. 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