{"id":7687,"date":"2026-07-13T15:18:31","date_gmt":"2026-07-13T15:18:31","guid":{"rendered":"https:\/\/www.fondation-louisroederer.com\/?p=7687"},"modified":"2026-07-22T09:10:33","modified_gmt":"2026-07-22T09:10:33","slug":"laureates-prix-decouverte-fondation-louis-roederer-2026","status":"publish","type":"post","link":"https:\/\/www.fondation-louisroederer.com\/en\/laureates-prix-decouverte-fondation-louis-roederer-2026\/","title":{"rendered":"Winners of the Louis Roederer Foundation Discovery Award 2026"},"content":{"rendered":"\n

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\u00a9 Ad\u00e8le Le Bras<\/p>\n <\/div>\n <\/div>\n

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Winners 2026 Louis Roederer Fondation Discovery Award<\/h1>\n <\/div>\n <\/div>\n <\/header>\n\n
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13\/07\/2026 – Arles<\/h2>\n <\/div>\n\n
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Committed alongside the Rencontres de la Photographie in Arles<\/strong> for nearly 10 years, the Louis Roederer Foundation wholeheartedly shares the festival\u2019s commitment to supporting photography and those involved in the field. The Louis Roederer Foundation Discovery Award symbolises this shared commitment.<\/p>\n

The jury for the 2026 Louis Roederer Foundation Discovery Award chose Magali Paulin<\/strong> as the winner, whilst the audience awarded the Public Award to Mallory Lowe Mpoka<\/strong>.<\/p>\n

The two winning artists explore the ways in which places, archives, images, and narratives endure across time. Their works examine what remains, what changes, and what risks being lost, revealing photography\u2019s unique ability to bring to light what has long been buried or forgotten. Through memory, transmission, and reinterpretation of reality, their works demonstrate, each in its own way, the power of images to deepen our understanding of the world.<\/p>\n

\u00a0<\/span><\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n <\/section>\n\n\n

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\u00a9 Fran\u00e7ois Deladerri\u00e8re<\/p>\n <\/div>\n\n

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Magali Paulin, Jury Award winner<\/h2>\n

Magali Paulin<\/strong> presented by Doubledummy (Arles, France) receives the Jury Award<\/strong>, which consists of a grant of 15,000 euros and the acquisition of a work that will become part of the Rencontres d’Arles collection.<\/p>\n

Magali Paulin (born in 1986) is a visual artist who graduated from the ENSP Arles in 2011. Of Martinican descent, for several years, she has developed work centered on Caribbean island territories such as Martinique and Guadeloupe. She conceives her art practice as an extended personal process of repair and reflection on identity. Her work poetically addresses notions of trace, coloniality, memory and resilience.<\/p>\n

In her exhibition Matter, phantoms<\/strong>, <\/em>Magali Paulin photographs structures being reclaimed by time, in a former colonial garden overgrown with vegetation in the Bois de Vincennes in Paris. Her images expose persistent traces and the histories embedded in these places.<\/p>\n <\/div>\n\n <\/div>\n <\/div>\n\n <\/div>\n\n \n <\/section>\n\n\n\n

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\n \"\"\t\t\t\t\t\t\t\t

\n\t\t\t\t\t Magali Paulin, Anciennes serres du Jardin colonial de Nogent-sur-Marne, construites vers 1899. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, Nogent-sur-Marne, avril 2025 Avec l\u2019aimable autorisation de l\u2019artiste.\t\t\t\t <\/p>\n\t\t\t\t <\/div>\n

\n \"\"\t\t\t\t\t\t\t\t

\n\t\t\t\t\t Magali Paulin, Pavillon de l\u2019Indochine, construit pour l\u2019Exposition coloniale de Nogent-sur-Marne de 1907. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, Nogent-sur-Marne, juillet 2024 Avec l\u2019aimable autorisation de l\u2019artiste.\t\t\t\t <\/p>\n\t\t\t\t <\/div>\n

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\n\t\t\t\t\t Magali Paulin, Porte chinoise, pr\u00e9sent\u00e9e en 1906 \u00e0 l\u2019Exposition coloniale du Grand Palais, puis transf\u00e9r\u00e9e \u00e0 Nogent-sur-Marne pour marquer l\u2019entr\u00e9e de l\u2019Exposition coloniale de 1907. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, avril 2025 Avec l\u2019aimable autorisation de l\u2019artiste.\t\t\t\t <\/p>\n\t\t\t\t <\/div>\n

\n \"\"\t\t\t\t\t\t\t\t

\n\t\t\t\t\t Magali Paulin, Fragment du monument \u00e0 la gloire de l\u2019expansion coloniale fran\u00e7aise sous la IIIe R\u00e9publique de Jean-Baptiste Belloc datant de 1922, figure repr\u00e9sentant les Antilles. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, Nogent-sur-Marne, avril 2025 Avec l\u2019aimable autorisation de l\u2019artiste.\t\t\t\t <\/p>\n\t\t\t\t <\/div>\n

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\n\t\t\t\t\t Magali Paulin, D\u00e9tail du monument Aux soldats noirs morts pour la France d\u2019Auguste Biaggi. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, Nogent-sur-Marne, avril 2025 Avec l\u2019aimable autorisation de l\u2019artiste.\t\t\t\t <\/p>\n\t\t\t\t <\/div>\n <\/div>\n

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\n\t\t\t\t\t Magali Paulin, Anciennes serres du Jardin colonial de Nogent-sur-Marne, construites vers 1899. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, Nogent-sur-Marne, avril 2025 Avec l\u2019aimable autorisation de l\u2019artiste.\t\t\t\t <\/p>\n\t\t\t\t <\/div>\n

\n \"\"\t\t\t\t \t\t\t\t

\n\t\t\t\t\t Magali Paulin, Pavillon de l\u2019Indochine, construit pour l\u2019Exposition coloniale de Nogent-sur-Marne de 1907. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, Nogent-sur-Marne, juillet 2024 Avec l\u2019aimable autorisation de l\u2019artiste.\t\t\t\t <\/p>\n\t\t\t\t <\/div>\n

\n \"\"\t\t\t\t \t\t\t\t

\n\t\t\t\t\t Magali Paulin, Porte chinoise, pr\u00e9sent\u00e9e en 1906 \u00e0 l\u2019Exposition coloniale du Grand Palais, puis transf\u00e9r\u00e9e \u00e0 Nogent-sur-Marne pour marquer l\u2019entr\u00e9e de l\u2019Exposition coloniale de 1907. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, avril 2025 Avec l\u2019aimable autorisation de l\u2019artiste.\t\t\t\t <\/p>\n\t\t\t\t <\/div>\n

\n \"\"\t\t\t\t \t\t\t\t

\n\t\t\t\t\t Magali Paulin, Fragment du monument \u00e0 la gloire de l\u2019expansion coloniale fran\u00e7aise sous la IIIe R\u00e9publique de Jean-Baptiste Belloc datant de 1922, figure repr\u00e9sentant les Antilles. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, Nogent-sur-Marne, avril 2025 Avec l\u2019aimable autorisation de l\u2019artiste.\t\t\t\t <\/p>\n\t\t\t\t <\/div>\n

\n \"\"\t\t\t\t \t\t\t\t

\n\t\t\t\t\t Magali Paulin, D\u00e9tail du monument Aux soldats noirs morts pour la France d\u2019Auguste Biaggi. Jardin d\u2019agronomie tropicale Ren\u00e9-Dumont, Nogent-sur-Marne, avril 2025 Avec l\u2019aimable autorisation de l\u2019artiste.\t\t\t\t <\/p>\n\t\t\t\t <\/div>\n <\/div>\n\t

<\/div>\n <\/div>\n <\/div>\n<\/section>\n\n
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\u00a9 Odeon Davis<\/p>\n <\/div>\n\n

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Mallory Lowe Mpoka, Public Award winner<\/h2>\n

Mallory Lowe Mpoka<\/strong> presented by Occurence (Montreal, Canada) receives the 2026 Public Award<\/strong>, which consists of a grant of 5,000 euros through an acquisition to be added to the Rencontres d\u2019Arles collection.<\/p>\n

Mallory Lowe Mpoka (born in 1996), who lives in Montreal, Canada, is a Belgian-Cameroonian multidisciplinary artist whose work explores the connections between identity, memory and territory.<\/p>\n

In her exhibition Cosmologies of the heiresses<\/em><\/strong>, photographs, textiles and family archives come together in a body of work where embroidery and beads transform the images, bringing out fragments of Cameroonian history long kept out of view.<\/p>\n

Alongside the Public Award as part of the Louis Roederer Foundation Discovery Award, Mallory Lowe Mpoka was also awarded the Prix de la Photo Madame Figaro<\/em> devoted to emerging female photographers.<\/p>\n <\/div>\n\n <\/div>\n <\/div>\n\n <\/div>\n\n \n <\/section>\n\n\n\n

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\n\t\t\t\t\t \u00a9 Mallory Lowe Mpoka, In the Weft of Memory (d\u00e9tail) [Dans la trame de la m\u00e9moire], Mus\u00e9e des Beaux-Arts du Canada, Ottawa, 2025, tissage en coton et perles de verre Avec l\u2019aimable autorisation de l\u2019artiste.\t\t\t\t <\/p>\n\t\t\t\t <\/div>\n

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\n\t\t\t\t\t Mallory Lowe Mpoka, In the Weft of Memory, Mus\u00e9e des Beaux-Arts du Canada, Ottawa, 2025, tissage en coton et perles de verre Avec l\u2019aimable autorisation de l\u2019artiste.\t\t\t\t <\/p>\n\t\t\t\t <\/div>\n

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\n\t\t\t\t\t Mallory Lowe Mpoka, photogramme de She Who Summons [Celle qui invoque], Mbour, S\u00e9n\u00e9gal, 2025, film Avec l\u2019aimable autorisation de l\u2019artiste.\t\t\t\t <\/p>\n\t\t\t\t <\/div>\n <\/div>\n

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\n\t\t\t\t\t \u00a9 Mallory Lowe Mpoka, In the Weft of Memory (d\u00e9tail) [Dans la trame de la m\u00e9moire], Mus\u00e9e des Beaux-Arts du Canada, Ottawa, 2025, tissage en coton et perles de verre Avec l\u2019aimable autorisation de l\u2019artiste.\t\t\t\t <\/p>\n\t\t\t\t <\/div>\n

\n \"\"\t\t\t\t \t\t\t\t

\n\t\t\t\t\t Mallory Lowe Mpoka, In the Weft of Memory, Mus\u00e9e des Beaux-Arts du Canada, Ottawa, 2025, tissage en coton et perles de verre Avec l\u2019aimable autorisation de l\u2019artiste.\t\t\t\t <\/p>\n\t\t\t\t <\/div>\n

\n \"\"\t\t\t\t \t\t\t\t

\n\t\t\t\t\t Mallory Lowe Mpoka, photogramme de She Who Summons [Celle qui invoque], Mbour, S\u00e9n\u00e9gal, 2025, film Avec l\u2019aimable autorisation de l\u2019artiste.\t\t\t\t <\/p>\n\t\t\t\t <\/div>\n <\/div>\n\t

<\/div>\n <\/div>\n <\/div>\n<\/section>\n\n
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Le Jury <\/div>\n \n \n
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\n Sammy Baloji<\/span>\n Congolese photographer, visual artist and filmmaker. In 2026, he was one of the guest artist-lecturers at Le Fresnoy, the National Studio of Contemporary Arts.<\/span>\n <\/div>\n
\n Yasmine Chemali<\/span>\n Exhibition curator and art historian specialised in contemporary photography. Director of the Centre de la Photographie de Mougins.<\/span>\n <\/div>\n <\/div>\n
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\n Amandine Nana<\/span>\n Curator at the Palais de Tokyo since 2023, author, poet and researcher. <\/span>\n <\/div>\n
\n Fiona Rogers<\/span>\n Curator and photography specialist committed to promoting women photographers, notably through her role at the V&A and the Firecracker platform. <\/span>\n <\/div>\n <\/div>\n \n <\/div>\n
<\/div>\n <\/div>\n\n
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\n Sammy Baloji<\/span>\n Congolese photographer, visual artist and filmmaker. In 2026, he was one of the guest artist-lecturers at Le Fresnoy, the National Studio of Contemporary Arts.<\/span>\n <\/div>\n
\n Yasmine Chemali<\/span>\n Exhibition curator and art historian specialised in contemporary photography. Director of the Centre de la Photographie de Mougins.<\/span>\n <\/div>\n <\/div>
\n Amandine Nana<\/span>\n Curator at the Palais de Tokyo since 2023, author, poet and researcher. <\/span>\n <\/div>\n
\n Fiona Rogers<\/span>\n Curator and photography specialist committed to promoting women photographers, notably through her role at the V&A and the Firecracker platform. <\/span>\n <\/div>\n <\/div> <\/div>\n <\/div>\n\n\n \n\n <\/div>\n <\/div>\n<\/section>\n\n
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The award-winning photographs and finalists, Charlotte Yonga<\/strong>, Souleymane Bachir Diaw<\/strong>, Phan Quang<\/strong>, Amira\u00a0Lamti<\/strong>, Jordan Beal, Mallory Lowe Mpoka <\/strong>and Magali Paulin,<\/strong> will be presented until <\/strong>October 4, 2026 at Espace Monoprix in Arles.<\/strong><\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n <\/section>\n\n\n

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\u00a9 Chiara Santarelli<\/p>\n <\/div>\n\n

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Once again this year, the seven projects selected are considered as a single exhibition, conceived from selection to hanging by the curator, Nadine Hounkpatin <\/strong>who sought to explore the role of the image in the construction of reality, and therefore of truth.<\/p>\n <\/div>\n\n <\/div>\n <\/div>\n\n <\/div>\n\n \n <\/section>\n\n\n\n

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The seven artists of the 2026 Discovery Award offered me flashes and sparks of insight by opening up interstices. . Their visual narratives, rooted in multiple cultural, historical and intimate contexts, poetically animate the body, the archive, gesture and ritual. Their works reveal layers, zones of resistance and that which persists, collectively reminding us that photographic truth is definitely not to be found but to be patiently crafted through the friction of situated, constructed narratives, with acute attention to silence.<\/p>\n<\/div>\n

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Nadine Hounkpatin<\/p>\n

curator of the 2026 edition of the Discovery Award<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n

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\u00a9 Adele Le Bras<\/p>\n <\/div>\n\n

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The Rencontres d\u2019Arles<\/h2>\n

In 2018, the Louis Roederer Foundation became a sponsor of the Discovery Award, created by the Rencontres d\u2019Arles to encourage young artists.<\/p>\n \n \n \n En savoir plus <\/span>\n \n En savoir plus <\/span>\n <\/span>\n <\/a>\n <\/div>\n\n <\/div>\n <\/div>\n\n <\/div>\n\n \n <\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":7753,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"annee":[274],"class_list":["post-7687","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee","annee-2026-2"],"acf":[],"yoast_head":"\nWinners of the Louis Roederer Foundation Discovery Award 2026 - Fondation Louis Roederer<\/title>\n<meta name=\"description\" content=\"The jury for the 2026 Louis Roederer Foundation Discovery Award chose Magali Paulin as the winner, whilst 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